Oberheim SEM V: A Classic Synth Reimagined for the Modern Producer
Oberheim SEM V is a software emulation of the legendary Oberheim Synthesizer Expander Module (SEM), a monophonic analog synth that was created by Tom Oberheim in 1974. The SEM was known for its warm and fat sound, its versatile multi-mode filter, and its simple but powerful design. The SEM was used by many famous musicians, such as Jean-Michel Jarre, Tangerine Dream, Depeche Mode, and more.
Arturia, a leading developer of virtual instruments, has recreated the SEM sound and spirit in a modern plugin that offers many enhancements and features. Oberheim SEM V allows you to play up to eight voices of polyphony, create complex modulations with a third oscillator and two LFOs, sequence and arpeggiate your sounds with a built-in sequencer and arpeggiator, and add depth and space with a stereo delay and reverb. You can also choose from over 400 presets that cover a wide range of genres and styles.
If you want to experience the authentic sound of the SEM with the convenience and flexibility of a software plugin, you can download Oberheim SEM V from Arturia's website for $99. You will need a keygen to activate the plugin after installation. You can find a keygen for Oberheim SEM V on various websites, such as [^1^] or [^3^], but be careful of viruses and malware that may harm your computer. Alternatively, you can buy a legit license from Arturia and support their work.
Oberheim SEM V is compatible with Windows XP/Vista/7/8/10/11 and Mac OS X 10.5 or higher. It works as a standalone application or as a plugin in VST, AU, or AAX formats. You can use it with any MIDI keyboard or controller, or with your computer keyboard and mouse.
Oberheim SEM V is a great way to explore the classic sound of the SEM and create your own original sounds with ease. Whether you are into vintage synth sounds, modern electronic music, or anything in between, Oberheim SEM V will inspire you to make amazing music.Now that you have downloaded and installed Oberheim SEM V, you may wonder how to use it to create your own sounds. In this section, we will give you some tips and tricks on how to use Oberheim SEM V effectively and creatively.
How to use Oberheim SEM V
Oberheim SEM V can be used as a standalone application or as a plugin in your DAW. You can use any MIDI keyboard or controller to play and control the synth, or use your computer keyboard and mouse. You can also use MIDI learn to assign any parameter to a MIDI CC.
The main panel of Oberheim SEM V shows you the original layout of the SEM, with two oscillators, a multi-mode filter, two envelopes, an LFO, and an output section. You can switch between different filter modes by clicking on the buttons below the cutoff knob. You can also adjust the volume and pan of each voice by dragging the dots on the output mixer.
By clicking on the top panel button, you can access more features and options that are not available on the original SEM. Here you can find a third oscillator that can be used as an audio source or a modulation source, a second LFO with more waveforms and options, a voice programmer that lets you customize each voice individually, a keyboard follow section that lets you adjust how the filter and envelopes respond to different notes, a modulation matrix that lets you route any source to any destination, and an effects section that includes a stereo delay and a reverb.
By clicking on the arp/seq button, you can access the built-in arpeggiator and sequencer that let you create rhythmic patterns and melodies with your sounds. You can adjust the tempo, mode, range, swing, gate, and hold parameters of the arpeggiator, or record your own sequence by clicking on the record button. You can also sync the arpeggiator and sequencer to your DAW's tempo and transport.
How to create sounds with Oberheim SEM V
Oberheim SEM V is capable of creating a wide range of sounds, from classic analog sounds to modern digital sounds. Here are some examples of how to create different types of sounds with Oberheim SEM V:
Bass sounds: To create a deep and punchy bass sound, use a sawtooth waveform on both oscillators and detune them slightly. Set the filter mode to low-pass and lower the cutoff frequency until you get a smooth tone. Increase the resonance to add some bite and character. Use envelope 1 to modulate the filter cutoff with a short attack and decay, and a high sustain level. Use envelope 2 to modulate the amplitude with a short attack and decay, and a low sustain level. Add some drive to the output section to make it louder and warmer.
Lead sounds: To create a vintage lead sound, use a pulse waveform on both oscillators and adjust the pulse width for each one. Set the filter mode to band-pass and increase the cutoff frequency until you get a bright tone. Decrease the resonance to make it smoother. Use envelope 1 to modulate the filter cutoff with a medium attack and decay, and a medium sustain level. Use envelope 2 to modulate the amplitude with a medium attack and decay, and a high sustain level. Add some portamento to make it glide between notes.
Pad sounds: To create a rich and immersive pad sound, use different waveforms on each oscillator and detune them widely. Set the filter mode to notch and lower the cutoff frequency until you get a dark tone. Increase the resonance to add some movement and interest. Use envelope 1 to modulate the filter cutoff with a long attack and decay, and a low sustain level. Use envelope 2 to modulate the amplitude with a long attack and decay, and a high sustain level. Add some modulation from LFO 1 or LFO 2 to modulate the pitch or pulse width of the oscillators for some subtle variation. Add some delay and reverb effects to make it spacious.
These are just some basic examples of how to create sounds with Oberheim SEM V. You can experiment with different settings and parameters to create your own unique sounds. You can also browse through the presets that are included with Oberheim SEM V for more inspiration. 061ffe29dd